Total Recall is the remake of the 1990 Arnold Schwarzenegger version, based on the Philip K. Dick short story “ We Can Remember It For You Wholesale”.
We meet Douglas Quaid (Colin Farrell), a factory worker who is woken up every night by the same nightmare. Being chased and captured by automated soldiers, never knowing why and who wants to capture him and being aided by a mysterious attractive woman (Jessica Biel). He awakes every morning after having the same dream, vivid as if it were a memory. We are in a future world where Britain is an empire and we can travel through the centre of the earth to get to the Colony (formerly Australia). You either live on Britain or in the Colony. Seems like the Colony is where the lower classes/unsightly folk live. In this world, you can go to a place called Rekall to live out our wildest fantasies without ever leaving your chair. The memories stay implanted into your brain so you can call them up at any time.
Quaid decides to go to Rekall to help with the dreams he has been having, against the wishes of his loving yet secretive wife (Kate Beckinsale). He goes for a secret agent fantasy and then all hell breaks loose between reality and fantasy.
Total Recall is like The Matrix before The Matrix. A life where you are not sure what it real and what it not. However this remake doesn’t really call upon all those themes. There is no humour from the original film even though some of the scenes are word for word. It has been changed into a love triangle gone wrong, rather than a Jason Bourne type story as it should have been. Britain and Australia are now apparently places where everyone has an American accent. And there is no trace of what makes those countries what they are. It’s an industrial American view of us across the pond. And it’s horrible.
It looks good, don’t get me wrong. The higgledy piggledy way the streets are structured, the building with is confusing levels like a magic eye painting and the mixture of future technologies and past structures. But that is all it is. There is no plot, no real acting finesse (Jessica Biel needs stop trying to act, you just can’t lady!) even though Farrell is the only light in the whole dark mess. The women are completely miscast. As if their budget didn’t really stretch that far to get real talent when they spent it all on Farrell. Bill Nighy and Bryan Cranston are both completely wasted in the film too
I found the whole film confused and pointless and perhaps money could have been better spent elsewhere.